GajimaruClassics.The body in painting: gesture, intimacy, vulnerability and the gaze.
Begin with Intimacy
Preferences stay on this device. Reveal a painting without changing them.
A joined hand can carry as much intimacy as an embrace. Follow the distances between bodies.
The pose returns across centuries. A turned back or a returned glance changes the encounter.
Myth gives bodies a narrative. An arrival, an encounter and a seizure call for different readings.
A painted figure can return your attention. Compare direct looks with encounters that remain within the picture.