A maid at her work
With her sleeves pushed up, the maid pours milk from a jug into a bowl. Bread and a stoneware jug occupy the table beside her.
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Johannes Vermeer · 1660
painting
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1660
Rijksmuseum
Gallery of Honour
A maid pours milk beside a basket of bread. Vermeer makes her work the subject of a canvas only 45.5 centimetres high.
Bright dots of paint make the bread and basket catch the light. This technique, called pointillé, gives a rough crust its sparkle. Compare those distinct touches with the steady action of the pouring figure.
With her sleeves pushed up, the maid pours milk from a jug into a bowl. Bread and a stoneware jug occupy the table beside her.
Vermeer dabbed bright dots of paint, a technique called pointillé, across the bread and basket.
The painting fetched the second-highest price at its 1696 auction. After passing through Amsterdam collections, it entered the Six family collection. The Rijksmuseum acquired it from the Six heirs in 1908.
1696. It is sold at auction in Amsterdam, bringing the second-highest price that day.
1908. The Rijksmuseum buys it from the Six family heirs, with support from the Dutch government and the Rembrandt Society.
Tiny dabs and dots of bright paint, left distinct rather than blended smooth. Vermeer used it across the bread and basket to suggest the sparkle of daylight and the rough texture of crust.